AlchemyAlchemy, the ultimate sample-manipulation synthesiser, is the most powerful instrument in Logic Pro X. It comes with an enormous library of over 3,000 sounds and a keyword browser to quickly zero in on what you’re looking for. Powerful Performance Controls invite you to explore and play with the sounds you choose. Alchemy is a monster of a synth with multiple sound-generating engines, including additive, spectral, formant, granular and virtual analog. It’s also a robust sampler that can import EXS24 instruments. Groundbreaking morphing and resynthesis features let you manipulate and combine samples in extraordinary new ways.

The MainStage Pads Player patches allow you to trigger Pads with the push of a button (or a key on a keyboard depending on how you map the patch). It just becomes part of your keys player’s setup and workflow. And it puts control in the hands of musicians. Free KONTAKT PLAYER or KONTAKT. Please also see the KONTAKT PLAYER system requirements and the KONTAKT PLAYER FAQ. User manual:.

And the vast number of filters, modulation routes, arpeggiation options and effects makes for limitless possibilities. SculptureSculpture is a unique physical modelling instrument that produces tones no other synthesiser can. By recreating the sound of vibrating materials like wood, glass, nylon or metal, it generates uncommon and creative variations of strings, bells, chimes and other instruments. You can change the virtual body of the instrument to everything from guitar to cello, flute and more.

Control how the instrument is plucked, bowed or otherwise played. And use the X/Y pad to morph between materials. A deep set of modulation parameters produce movement and evolving textures. When you’re looking for a completely unexpected sound, Sculpture gives you incredible sound design options. Arpeggiator and MIDI Plug-insThe Arpeggiator transforms simple chords into elaborate performances.

The Project 8 is an analog 8-bus mixer designed for multitrack recording that comes in 24- and 32-channel (48- and 64-input) versions. Because it's an in-line design, the Project 8 has two inputs (Channel and Monitor) for each channel strip. View and Download SoundTracs Solo Live operator's manual online. Solo Live Music Mixer pdf manual download. Soundtracs topaz 14-4 manual downloads. Gameplay In the game, the player represents the role of an officer who has been entrusted with the command of a group of six Commandos. In order to complete a mission, you must achieve various objectives. You must also ensure that all of your commandos survive the mission. Soundtracs Topaz Manual Soundtracs Topaz Manual. Post Jan 30, 2017 #1 2017-01-31T00:21. Hi, Does anyone have a pdf of a Soundtracs Topaz Manual they could send me? I have a friend who is having a problem with hers and I thought I could help her sort it out if I. Soundtracs topaz schematic.

Go with professionally designed presets, or shape the evolving performance by adjusting the rate, note order and octave range of the notes. And add swing to help the Arpeggiator groove with the feel of your song. Additional MIDI plug-ins give you even more ways to generate and shape MIDI notes and controller data. Scale velocity, generate a rapid-fire series of notes, transpose incoming notes or conform them to a scale, and more. Drum Kit DesignerOpen Drum Kit Designer and select a kit. You can swap pieces to build a custom kit, choosing from a diverse variety of snares, kicks, toms, hi-hats and cymbals.

Finesse the sound of each drum by adjusting the tuning, dampening and gain. And enable stereo or mono room and overhead mics.

Each kit comes with its own unique mix designed by an industry hit-maker. Choose a more elaborate Producer Kit and it loads with a Patch that gives you access to the full multi-channel mix, along with all the processing and routing the producer used. Once you see how the pros get their signature sounds, you can go with their techniques — or tweak away. Bass Amp DesignerLay down an amazing bass track with dead-on models of three vintage and modern bass amps and cabinets.

To get the perfect tone, switch between two types of input channels. Swap out cabinets and amps. Position one of three mics on different speaker cones. Or blend between amp and DI box signals, just like in the studio. You can also use graphic or parametric EQs to fit the bass in your mix. And easily level performance dynamics or sustain with a compressor before or after the EQ.

PedalboardGet creative with over 35 stompboxes — all meticulously crafted to reproduce the tones and responsiveness of the originals they’re modelled on. Experiment with classic delays, echoes and reverbs. Run your signal through some of the most coveted overdrives and distortions. Try out dynamic pitch transposition or dive-bomb effects. Choose from all your favourite choruses, flangers, tremolos and other must-have modulation boxes. Or turn up the funk with vintage and modern wahs or an octaver. The Pedalboard interface makes it easy to reorder and swap your pedals and to creatively route your signal for thousands of combinations and virtually unlimited sounds.

Production EffectsMake your songs and other audio productions sound their absolute best with a complete collection of dynamics, EQs and other production effects. Pristine parametric and phase linear EQs make it easy to fine-tune your audio production. Match EQ lets you duplicate the sound from a favourite track and apply it to another. Use modern or vintage-modelled compression to smooth out a vocal performance. Or use limiters and multi-band compression to create a mix that will jump out of your speakers. Creative EffectsShift, shape or completely warp the sound of any track using a wide variety of creative effects. Add texture using realistic reverbs that simulate hundreds of acoustic spaces.

Build creative, complex delays or emulations of vintage tape echoes. Introduce harmonic saturation and sparkle with vintage tube modeling. Dial in fuzz and warmth with overdrive. Or capture that retro 8-bit arcade style with bit crushing. Use effects like phaser, chorus, flanger and ring modulator to add subtle shimmer or glassy overtones. Create warm, pulsating sweeps or icy, morphing shifts using a variety of vintage and modern filter effects. You’ll never run out of ways to mutate and twist your sounds.

Follow the recommendations below in the order in which they're listed until you've isolated or fixed your issue. Before proceeding, make sure to back up the MainStage application.

1. Make sure MainStage is up to date

Make sure you're using the latest version of MainStage 3. Choose Apple menu () > App Store, then click Updates in the toolbar. If an update is available, click the Update button to download and install it.

2. Check device or software compatibility

If you're using an external audio interface, MIDI interface, storage system, or plug-in not made by Apple, make sure it's compatible with the latest version of MainStage 3. Contact the manufacturer for support. If an update is available, follow the manufacturer's instructions to update the device or software.

3. Check documentation

Check MainStage 3 Help to make sure MainStage is working as expected. You can search help for key terms shown in alerts or error messages.

4. Test using built-in audio

Sometimes an incompatible or malfunctioning external audio interface can cause issues with MainStage. If you're using an external audio interface, try using the built-in audio on your Mac instead of the interface.

To use built-in audio with MainStage:

1. Unplug your external audio interface from your Mac.
2. Open MainStage, then choose MainStage > Preferences > Audio.
3. Choose Built-in Output from the Audio Output pop-up menu.
4. Choose Built-in Microphone (or Built-in Input, depending on your computer) from the Audio Input pop-up menu.
5. Test using a concert, set, or patch you've had issues with.

If using built-in audio resolves your issue, you might need to update or service your audio interface. Contact the manufacturer for support.

5. Create a new concert

Sometimes concert files can become unusable, causing unexpected behavior in MainStage.

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To create and test a new project:

1. Open MainStage and choose File > New.
2. Choose the devices you want to use for audio input and output from the Audio Input and Audio Output pop-up menus in the dialog.
3. Click an instrument category on the left, then select the template you want to use.
4. Click Choose.
5. Test to see if the issue occurs in the new concert. If the issue doesn't occur in the new concert, the concert you're having issues with might be damaged. You can try to rebuild the concert file.

Rebuild a damaged concert file

When you rebuild a concert, you export the layout, sets, and patches from your concert, then import them into a new concert.

1. Open the concert you're having issues with.
2. To export your layout, click Layout, click the gear icon at the top of the Layout section, then choose Export Layout from the menu. Choose a location in which to save the layout, then click Export.
3. To export your sets and patches, click Edit, click in the Patch List, then press Command–A (or choose Edit > Select All) to select all sets and patches in the Patch List. Drag them to the desktop or a folder.
4. Close the concert.
5. Create a new concert from any template.
6. Click Layout, press Command–A (or choose Edit > Select All) to select all elements in the Layout section, then press Delete to remove them.
7. To import the layout from the original concert, click the gear icon at the top of the Layout section, then choose Import Layout from the menu. Select the layout, then click Import.
8. Click Edit, select all the sets and patches in the Patch List, then press Delete to remove all the existing patches.
9. Drag the patches from the original concert into the Patch List. You might need to reorder sets and patches after dragging them into the patch list.
10. Test the new concert to see if the issue still exists.

6. Try a different user account

Open MainStage in another user account on your Mac. Logging in as another user can help you figure out if unexpected behavior is related to a specific user's settings or files.

7. Reset preferences

Resetting MainStage preferences doesn't affect your project files, presets, or patches. However, you do lose any custom preference settings you might have made.

Before resetting preferences, choose MainStage > Preferences and note any specific settings you've made. That way, after resetting preferences, you can go back and reapply your custom settings. For information on different preferences, see Preferences overview in MainStage Help.

To reset your MainStage preferences:

1. Quit MainStage if it's open.
2. In the Finder, hold the Option key, then choose Go > Library.
3. Remove the com.apple.mainstage3.plist file from the Preferences folder.
4. Restart your Mac.

After your Mac restarts, open MainStage and try to reproduce the issue you were experiencing. If the issue no longer occurs, open MainStage preferences and reapply your custom settings.

8. Reinstall MainStage

If the issue persists, remove and reinstall MainStage. Your existing MainStage concerts won't be deleted, and can be opened after reinstallation.

1. In the Finder, choose Go > Applications.
2. Locate MainStage 3 and drag it to the Trash.
3. Reinstall MainStage from the App Store, or restore it from a backup. When restoring a copy of the MainStage application from a backup, you can either drag it from its storage location to your Applications folder, or you can restore it from a Time Machine backup.